Written by Robert Scotchi Published
They say, “What is happening in Vegas, remains in Vegas,” and this statement is especially true if you are Ben Sanderson from Nicholas Cage from 1995 Leave Las Vegas. If you are wondering about what the micro -movie trailers indicate when they say “Oscar winner, Nicolas Cage”, it is a masterpiece of self -destruction, and for a very good reason. Convincingly depicting a suicide bomber alcohol that moves to the city of sin for a single purpose, he drank himself to death. A problem before starting filming.
Although I cannot say it is the most intense form of style in the acting that I heard at all because getting a seal on your passport and getting two weeks at all does not seem like a bad way to spend your time. It is clear that Cage is close to his research as much as possible, with equal footing if you are more than knowing his amazing work group.
What a way to go out
After shooting from his job as a Hollywood screenwriter for excessive drink, Ben Sanderson accepts a major examination of his boss – who really loved his presence around him, but he had no choice but to allow him to leave – and he decides to move to Las Vegas. during Las Vegas leave When the montage is opened, we witness one of the many dangers drinking in Ben as he stumbled from the bar to the wine store, and we rearmaize it while taking it from heroic bottles from alcohol bottles that will make you get when thinking about the extent of the esophageal guidance.
Despite Ben Al -Mawsawi’s behavior, it comes as a sympathetic figure Leave Las Vegas Because it is clear that it is a lost spirit ready to allow the habit that destroyed his life the last death blow. Early of the movie, his heart and soul poured into an uninterrupted prostitute, saying: “I don’t know if I started drinking” because my wife left me or my wife left me because I started drinking, but F*CK anyway. “But this moment of residue is not relevant because we do not focus on the life of Ben before moving to Vegas; we focus on how to plan him to leave the city in a body bag if he can help it.
It takes two to Tango
Bin continues a spiral in Leave Las VegasHe approaches the sex factor called Serra (Elizabeth Shui), a woman who lives a lifestyle that is self -destroyed, because she works for pimps that are not dangerous called Yuri (Julian Sands) threatening her life on more than one occasion. The wounded souls constitute a relationship dependent on the basis of non -judgment, but rather to accept the lifestyles of each other, and a son who makes a walk and promised to not stop drinking. Their relationship, although it is volatile for clear reasons, plays like two people trying to adhere to the hardship of happiness even though they know that they will never see a happy ending given their circumstances.
Forced emotions on the viewer
It was fully photographed with a 16 mm high camera, Nicholas Cage performed in Leave Las Vegas He is authentic and horrific, and his early research before production is one of the many reasons that received an Academy Award for his performance.
Between Ben Sanderson’s varying cases of absence, power outages, and his fantasies are drunk at any time in the movie, it becomes increasingly difficult to collect a timetable for events in a state of drunk for most of his nights, which is completed by moving away from his perspective and shows us what he sees and the rest The world, and he drinks with the intention of suicide.
Knowing the fragility of her partner, Sera Sira always reassures that on the night before – he often remembered he was not very bad, although he had usually he had violent rings that would ban the couple from anywhere. They were running.
like Leave Las Vegas It works through his second and third actions, we learn how dangerously engaged in a romantic manner with someone who will not live in Christmas because they are Don’t want.
Odees in the power of self -destruction flows to the maximum
Leave Las Vegas It is a difficult movie, but it provides a unique mix of views through its visual dialogue. It is not only the viewer to watch two tragic people who collapse from their unique views, but sometimes we also got their relationship more tragic.
Consider both Ben and Sera’s emotional situations all the time Leave Las VegasYou want to be a happy ending, but you give you a sufficient context to know that the idea of ”fortunately constantly” is impossible.
Until writing these lines, you can broadcast Leave Las Vegas On the Max.